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Men and Popular Music in Algeria: The Social Significance of Rai by Marc Schade-Poulsen, X

Men and Popular Music in Algeria: The Social Significance of Rai by Marc Schade-Poulsen, X
Rai music is often called the voice of the voiceless in Algeria, a society currently swept by tragic conflict. Rai is the voice of Algerian men, young men caught between generations and classes, in political strife, and in economic inequality. In a ground-breaking study, anthropologist Marc Schade-Poulsen uses this popular music genre as a lens through which he views Algerian society, particularly male society. He situates rai within Algerian family life, moral codes, and broader power relations. Schade-Poulsen did his research in the 1990s in clubs, in recording studios, at weddings, and with street musicians. He describes the history of rai, which emerged in the late 1970s and spread throughout North Africa at the same time the Islamist movement was growing to become the most potent socio-political movement in Algeria. Outsiders consider rai to be Western in origin, but Schade-Poulsen shows its Islamic roots as well. The musicians do use Western instruments, but the music itself mixes Algerian popular songs and rhythms with the beat of American disco, Egyptian modalities, Moroccan wedding tunes, and the songs of Julio Iglesias. The lyrics deal with male-female relationships but also with generational relationships and the problems of youth, as they struggle to find a place in a conflicted society. The study, in its innovative approach to music as a template of society, helps the reader understand the two major movements among today's Algerian youth: one toward the mosque and the other toward the West.



Acoustics and Psychoacoustics by David Howard,
Acoustics and Psychoacoustics by David Howard,
This book provides a comprehensive introduction to the subject of acoustics, including the principles of human perception of sound, sometimes called psychoacoustics. Acoustics and Psychoacoustics is ideal for students of music technology, sound recording, traditional music and acoustics, as well as engineers studying audio, multimedia and communications systems. Anyone who wants a practical understanding of how real musical sounds behave and are perceived in real spaces, will find this an accessible and interesting read. Subjects featured include: 7 Principles of sound 7 Human hearing and psychoacoustics 7 Musical timbre, pitch and loudness perception 7 Sound generation in musical instruments 7 Sound in different environments (architectural acoustics) 7 Processing sound electronically The book's second edition provides new material on wave motion, brass and woodwind instruments, forward and backward masking, an introduction to coding, and diffusion. Additional references and marginal notes explaining basic terms are provided to aid understanding. Supporting website: http: //www-users.york.ac.uk/~dmh8/AcPsych/acpsyc.htm Visit the book's supporting website, designed by author David Howard, for additional resources: 7 Questions and exercises to test your knowledge 7 Web links for further resources and research 7 Audio clips 7 Calculation facilities (eg. adding decibel values and converting between frequency ratio and cents/semitones) The website can also be reached via www.focalpress.com Professor David M Howard lectures on music technology at the University of York's Electronics Department. His research interests includethe analysis and synthesis of music, speech and singing, human hearing modelling and the use of computer displays in voice teaching. He is an active organist, choral singer and choral conductor.



Daily Source Code - The Daily Source Code is a podcast by one of the founders of podcasting, Adam Curry. Curry talks about his everyday life and events in the podcasting scene or the news in general, as well as playing music from the Podsafe Music Network and promotions for other podcasts.

Unit generator - Unit Generators (or ugens) are the basic formal unit in many MUSIC-N-style computer music programming languages. They are sometimes called opcodes (particularly in Csound), though this expression is not accurate in that these are not machine-level instructions.

Braille music - Braille music code allows music to be notated using braille cells so that music can be read by visually impaired musicians. The Braille music system was originally developed by Louis Braille.

Open music - Open Music is music that is shareable, available in "source code" form, allows derivative works and is free of cost for non-commercial use. It is the concept of "open source" computer software applied to music.



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